![]() The letters "n/a" (not applicable) are shown where there is no open chord equivalent for the chosen chord. The open chord pattern (which results in your chosen chord) is shown under fret number for capo placement. To use the capo chart, below, find the actual chord in the left column. The tutorial is also available as a public document on my google drive as either a Libre Office ODT document or a PDF document. Would you like to learn more about music theory for self-taught musicians and get a better understanding of the Nashville Number System? This simple tutorial may be helpful. Add modifications to the chord (such as minor, 7th, 9th, etc.) to match your source chords. Now move to the key to which you wish to transpose and convert the numbers back to chords. If you encounter a song which gives you difficulties, for any reason, and would like help, send us a message (from our Contact page) and I'll be glad to help you out.įind the root key in the left column and proceed to your right, finding each of the chords in the piece and joting down their numbers (chords are shown by the number system, based on the key and the root key becomes 1). Note 4: Composers aren't restricted to any particular structure, they can use any chord they like, anywhere they like so this chart won't work for every piece of music but it should be effective for most songs. Note 3: The 7 chord is based on a flat 7th rather than the actual 7th note of the scale. Note 2: If the composer uses natural sequence chords (all notes remaining within the scale of the key) the 1, 4, and 5 chords will be major, while the 2, 3, and 6 chords will be minor. This chart is also set up for major keys so it may have discrepancies in minor keys which you can correct by finding the root note of your minor chord under the 6 column and getting numbers of your chords from that row then find the new minor key in the 6 column and use numbers from that row to convert back to chords. Note 1: I've deliberately elected to go with more commonly used keys avoiding obscure, awkward keys like A#, C#, D# and Gb. ![]() Perhaps the protagonist has just discovered that that the object of her love is the actually the murderer of her husband! Use sparingly. To my ear the combination has a foreboding quality, as if something bad is about to happen. Also often used in a transition or sequence e.g. The sus4 has a questioning/unresolved quality and suggests something is in doubt or is changing. Think of "Black is the colour of my true love's hair", "Hello", or "I don't want to talk about it" The major 7 chord is sometimes called "the love chord" and often appears in transition from e.g. When might you use this very strange chord? The other answers are excellent, and as they say there are multiple ways of naming chords.Īssuming the notes are all in the same octave in the order B,C F, this is probably (as Tim suggests) best considered the third inversion of Cmaj7, with 4th substituted for the 3rd and the G omitted. If you really want to name the chord precisely, then it's T e(). Although that obscures the idea that B is the root, it would better communicate the context/intent.įollowing on a comment by (to the answer by said look for materials about. In that case, it might be best to call the chord Csus4/B. It would be a vii chord, but with the third (D) replaced by an anticipation of the C in the chord of resolution. In that case, this could could be named B7(b5)(b9) or B-7(b5)(b9), where the performer decides to omit the 3rd and 7th in favor of a more "open", fifths-based sound (B-F-C).įunctionally, this chord seems most likely to occur in C major. Either of those would be likely give pause to the reader, but ultimately communicate exactly which pitches to play.Īlternatively, we might interpret chords as "stacks" of thirds. To indicate the function of those pitches.Īllowing in this case that the goal is to get the chord-player to play B-C-F specifically, and in that voicing, then the most likely chord name would be something like Bdim or maybe B, which would sound the same result.Chord-naming generally serves two purposes:
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